暂无剧情简介

Director Wes Anderson and The Life Aquatic crew discuss the effort that went into crafting the world of Steve Zissou. Join us as we dive deep into the costumes, set design, and visual effects of this wild action adventure film.

Set the Thames on Fire follows struggling piano player Art (Michael Winder) and compulsive liar Sal (Max Bennett) as they embark on a string of ludicrous escapades through a dystopian London, ruled over by a grotesque and tyrannical Impresario. 　　On their adventures they encounter a deranged Magician, played by performance artist David Hoyle, an anarchist witch (Phillips) and the Impresario’s twisted right-hand man (Fielding) leading to a final showdown with the despotic ruler himself.

Set the Thames on Fire follows struggling piano player Art (Michael Winder) and compulsive liar Sal (Max Bennett) as they embark on a string of ludicrous escapades through a dystopian London, ruled over by a grotesque and tyrannical Impresario. 　　On their adventures they encounter a deranged Magician, played by performance artist David Hoyle, an anarchist witch (Phillips) and the Impresario’s twisted right-hand man (Fielding) leading to a final showdown with the despotic ruler himself.

An unidentifiable virus breaks out at a college, forcing professor Anya Davis to conduct her seminar online. After a tragedy happens in the class, a battle of ethics begins between Anya and the institution.

Silent footage shot on the set of CASQUE D’OR provides a glimpse of film director Jacques Becker at work.

Sara Jeanne, an aging prostitute in a military base-side town, hides her wrinkles with heavy make-up, puts on faded worn clothes, and earns her living by selling her body to American soldiers while under the influence of alcohol. However, as a prostitute, she no longer has any place to stand and her life grows more vulnerable to the danger of violence. Now she decides to leave the military base-side town. No, she desperately needs to leave.

Sara Jeanne, an aging prostitute in a military base-side town, hides her wrinkles with heavy make-up, puts on faded worn clothes, and earns her living by selling her body to American soldiers while under the influence of alcohol. However, as a prostitute, she no longer has any place to stand and her life grows more vulnerable to the danger of violence. Now she decides to leave the military base-side town. No, she desperately needs to leave.